Once again, this year I had the opportunity to go to Yosemite National Park in July for twelve days (see here for my 2016 trip stories and sketches). Four nights, five days of wilderness backpacking followed by seven days six nights of volunteering for Yosemite Conservancy. Below are the images from my backpacking trip.
I used a small, handmade sketchbook using landscape shaped scraps of watercolor paper, painted cardboard box covers, and nylon yarn as binding. My tools were a Pigma Micron 01 pen, a Pigma Sensei 06 pen, Aquash large and medium size water brushes, and my own mini palettes of Daniel Smith watercolors (sixteen total colors). The last three pages I finished coloring when I got to Yosemite Valley on the afternoon of Day Five. The rest I completed on site, in the backcountry. All except the rout map were painted from memory or en plein air, not from photographs.
I also returned to an old favorite format: 6-inch by 6-inch squares, which I brought on my 2014 trip to Yosemite while I was completing work for the 50|50 show, a 50-day process of creating fifty works, all measuring six inches by six inches. I love the small square format, and Fluid Watercolor paper from Global Art Materials, Inc., comes in a great portable block that fits in my front pack in the backcountry. I love the Fluid “Easy Block” because it’s easy to remove finished paintings in the field (a key feature for backcountry sketching). Also, the paper is acid-free and archival, meaning the finished pieces are ready to be mounted or framed.
Stay tuned for images from my Yosemite Valley week…to be posted after I get back from Gettysburg!
